Switchblade


by Jeff Calder, Ben Daglish
Gremlin Graphics Software Ltd
1991
Your Sinclair Issue 63, March 1991   page(s) 73

We've got a bit of a soft spot for old Gremlin here at YS. When other people are concentrating so much on the 16-bitties it's jolly heartening indeed to see a smaller company spreading its games with equal enthusiasm over all the formats. And what games, eh, Spec-chums? Phew-ee! Shadow Of The Beast and Lotus have helped the boys raise their image no end, and there's more to come in the shape of Toyota Celica Rally and Hero Quest (see p66). Bit of a shame really that they've kept us waiting so blimming long for Switchblade then, isn't it?

For those of you who were around for last years May Megapreview - (ahem indeed) you may remember (although the odds are probably against it) that this was an underground platform-and-ladders arcade adventure, a bit along the lines of Rick Dangerous. And spookily enough it still is! Lets have a quick reminder the plot.

You play Hiro, a member of the Switchblade clan. Unfortunately a bloke called Havoc has just come along and smashed up your people's sacred sword, the Fireblade, scattering its 16 pieces across the Undercity. Boo-hoo. Since you're lucky enough to sport a rather spooky cyber-arm it's unanimously decided that you'd be jolly good for the job, so off you tromp 'down under', looking for the bits of the sword to stick back together again.

FROM TOP TO BOTTOM

The game starts above ground. Once you find a way in, well, you get a bit of a shock - you land in a tiny little room surrounded by pitch-black darkness! Eek! And here's where Switchblade 'spins its twist' - you see, the Undercity is made up of lots (and lots) of separate rooms which you have to find your way into before they show up on the screen! (In this case you move on by climbing down a ladder - in others it's a matter of punching and kicking a hole through the wall and stuff.) It's a bit like a jigsaw really, with you staring at a wodge of black screen trying to a) work out how to get to the hidden bits, and then b) fit them together with the ones you've already got.

Oh, and talking about kicking through walls, you'll often find quite a few pick-up objects while you're at it. These range from protection against baddies to seven different weapons that you can fire out of your cyber-arm! Actually, you may as well wallop just about everything you see - boxes and steps that you bounce upend down on, anything really they can all hide little goody objects to ease your way through the labyrinthine tunnels. And, boy, will you need them! You've only got a pitiful 5 lives to start with and this game is absolutely blimming humongous! If don't start scribbling down a map immediately you're going to get lost pretty pronto!

SO WHAT'S THE GEN?

Absolutely corkeroony mega fantastic! (Basically.) It's not often you get a game as 'monster' as this - Switchblade has to be one of the finest examples of game design, expert programming and good old value-for-money that we've seen on the Speccy for ages. And I'm not just talking about the breadth of play (the number of rooms, and tunnels, and baddies, and weapons, etc etc). Just look at the screenshots! Okay, so it's all in mono, but then if they'd added colour it wouldn't have been half so clear (all that natty detail would've been lost and gone all fuzzy).

Not to say that don't have my one small grumble though (sorry to spoil it, boys!), and that's that it can seem a bit characterless at times. For example, your little Hiro chappy is sort of half-cute but not quite cute enough - a touch of humour would have worked wonders. Plus you don't get an incredible feeling of danger (like you did in Beast for example).

But having said that you tend to notice this a lot more at the beginning of the game than when you've really got hooked (which isn't at all hard to do!) The slightly clinical feel remains, but getting to your next room and finding your next piece of sword begins to fall a little higher on your list of priorities.

Nope there's very little doubt about it. Gremlin have triumphed again. If you're looking for a really, really big (big! Big!) game then Switchblade will more than happily light your candle.


Life Expectancy: 92%
Instant Appeal: 88%
Graphics: 91%
Addictiveness: 93%
Overall: 92%

Summary: Blimming huge and downright excellent platform arcade adventure. It bites and won't let go.

Award: Your Sinclair Megagame

Transcript by Chris Bourne

Your Sinclair Issue 74, February 1992   page(s) 59

Aha! I've been waiting for this to appear on budget. The last time we saw Switchblade it was in issue 63. Andy Ide (that old hippy, remember?) gave it a Megagame and 92'. And it well deserved it.

The idea of the game is to explore a load of underground passages and chambers, populated by baddies, traps and various other sorts of unpleasantness.

You play a little character called Hiro, who happens to be in the special Switchblade gang. Everything was going brilliantly until a dude called Havoc wandered along and nicked your sacred Fireblade thingy. Fed up, you decide to go and get it back. Or rather get all the bits of it back, because as he half-inched it, Havoc managed to bust it into 16 pieces. Silly fool.

So you wander along the surface of this weird planet until you come to a mineshaft. Drop down and you're into the realm of the Switchblade.

Instead of the usual fighting techniques, Switchblade forces you to learn a whole new system. You've got a power meter which, if you hold down the fire button, winds up to full strength. When you release the button, Hiro kicks out with all his might. Aliens, stoneware bottles and even some sections of wall will fall apart when this happens. This method of doing violence takes a wee bit of getting used to, but once you've mastered it, Robert is your father's brother.

As you chug along, each section of the labyrinth reveals itself out of the darkness bit by bit. It's a clever little device, and makes Switchblade dead atmospheric. You're never quite sure what will be round the next corner. It could be a secret cavern, it could be a massive alien or it could be Jeremy Beadle in a stupid disguise, trying not to snigger.

But, we have to ask ourselves at some point on our long quest-like journey, what makes Switchblade a spectacular and entertaining game? Why do I enjoy playing it so much? Can we define this so-called quantity of 'playability' in spatially aware terms?

The answer is, er, yes and no. Probably Switchblade is a most excellent game because it's tough but not too tough, it's fast and smooth, it's got loads and loads of rooms and it's dead satisfying to explore. I mean you wouldn't believe the number of Switchblade maps we've been sent by you lot. It just goes to show, doesn't it?

Finding the bits of your sword will keep you glued to your screen for ages, mind. This is one big game. How they managed to cram it into only one Speccy will forever remain a mystery, unless the programmers decide to tell us. There are plenty of dead ends, loops and false corners, so prepare to be frustrated as well.

If you're into high-quality platform games, you'll probably be the proud owner of Switchblade already. If you haven't got it, the best thing to do would be to rush out to your local bakery, go into the cooling room and check underneath all the freshly-made baps for a copy of the game. Also, while you're there, could you pick up a French stick for the Shed?

Yep, Switchblade was a Megagame before and it's a Megagame again. Three loud cheers for it!


Overall: 93%

Award: Your Sinclair Megagame

Transcript by Chris Bourne

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